1244 lines
55 KiB
Plaintext
1244 lines
55 KiB
Plaintext
BEGIN:VCALENDAR
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BEGIN:VEVENT
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SUMMARY:The Yalta Conference Online
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T130000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T140000
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DESCRIPTION:Japanese theater company Seinendan reimagines this meeting of
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the Allied forces at the end of World War II as a darkly humorous satire.
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END:VEVENT
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BEGIN:VEVENT
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SUMMARY:INABE
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T140000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T150000
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DESCRIPTION:After a 17-year absence\, a pig farmer’s sister suddenly ret
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urns home with her baby. As they remember their childhood\, they resolve t
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o dig up “something” they buried long ago.
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END:VEVENT
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BEGIN:VEVENT
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SUMMARY:Ticket of No Return
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T150000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T160000
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DESCRIPTION:A solitary woman purchases a one-way ticket to Berlin to indul
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ge her greatest passion—binge drinking—in Ulrike Ottinger’s flamboya
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ntly provocative classic of New German Cinema.
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:Tribeca Talks: Alejandro Iñárritu with Marina Abramović
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T171500
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T181500
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DESCRIPTION:Academy Award®-winning filmmaker Alejandro González Iñárri
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tu\, one of only three directors to ever win consecutive Oscars® and the
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first to do so in 65 years\, talks with ground-breaking performance artist
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Marina Abramović about his beautifully vari...
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END:VEVENT
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BEGIN:VEVENT
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SUMMARY:32-RBIT
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T183000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T193000
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DESCRIPTION:An essay film about Victor Orozco Ramírez’s personal Intern
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et: a parallel world where memory loss\, errors\, surveillance and addicti
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on smear everything and everyone.
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END:VEVENT
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BEGIN:VEVENT
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SUMMARY:Best "Animated Short Films" Rigo Mora Award
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T183000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T193000
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DESCRIPTION:None
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END:VEVENT
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BEGIN:VEVENT
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SUMMARY:The Cats
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T183000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T193000
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DESCRIPTION:A street cat meets an old man that will change his life foreve
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r. Between bowls of milk and warm cuddles\, he feels welcomed by his new o
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wner\, but the elderly gentleman has secrets of his own.
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END:VEVENT
|
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BEGIN:VEVENT
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SUMMARY:Cerulia
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T183000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T193000
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DESCRIPTION:Cerulia pays one final visit to her childhood home\, but her m
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emories may have other plans for her in this delightfully eerie stop-motio
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n Gothic.\n\n
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END:VEVENT
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BEGIN:VEVENT
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SUMMARY:Na plovarne
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T193000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T203000
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DESCRIPTION:Quincy Jones\, Laura Dern\, Madeleine Albright\, and Danny DeV
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ito are just a few interviewees in these star-studded highlights of Marek
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Eben’s long-running Czech talk show.
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END:VEVENT
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BEGIN:VEVENT
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SUMMARY:Anna
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T210000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T220000
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DESCRIPTION:Anna (Svetlana Alekseevna Barandich)\, a middle-aged single mo
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ther living in war-torn Eastern Ukraine\, is lured out of her home by a ra
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dio advertisement for a party organized for foreign men.
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:The Jump
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T210000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T220000
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DESCRIPTION:Of all the daredevils who dive from the rocks of Marseille’s
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perilously steep Corniche speedway\, 22-year-old Alain Demaria is the onl
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||
y one to jump headfirst to “break the water.”
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:The Nap
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T210000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T220000
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DESCRIPTION:A girl (Rita Pauls) wraps her grandmother (Graciela Ninio) in
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a spiral of fantasy\, which ends up inducing amnesia.
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END:VEVENT
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||
BEGIN:VEVENT
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||
SUMMARY:The Short Film Selection in Competition at the 72nd Festival de Ca
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nnes: Program 1
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T210000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T220000
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DESCRIPTION:None
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END:VEVENT
|
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BEGIN:VEVENT
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||
SUMMARY:45 Days in Harvar
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T221500
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||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200601T231500
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DESCRIPTION:Plastic artist-director César Aréchiga recreates his living
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room and studio in a Mexican maximum-security prison\, in which fifteen in
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mates learn about paper production\, clay modeling\, sculpture and paintin
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||
g.
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:Diego Luna\, The Life After
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T000000
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||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T010000
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||
DESCRIPTION:Celebrated actor &\; filmmaker Diego Luna discusses confine
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ment on a personal level\, what this new normal means for the film industr
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||
y and his perspective on the challenges and the future of Mexican filmmaki
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||
ng. In conversation with Estrella Araiz...
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:Blood Rider
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T010000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T020000
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DESCRIPTION:Amidst a blood shortage crisis in Nigeria\, a motorcycle deliv
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ery rider carries precious blood to hospitals while trying to ensure he ca
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||
n reach critical patients in time.
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:Dirty Laundry
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T130000
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||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T140000
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||
DESCRIPTION:Mishaps abound when two millennials abroad in Macau try to get
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rid of an old washing machine.\n\n
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END:VEVENT
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||
BEGIN:VEVENT
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||
SUMMARY:Wrath of Silence
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T133000
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T143000
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DESCRIPTION:When his son disappears while tending to the family’s sheep
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farm\, a mute miner (Song Yang) seeks vengeance against the land tycoons w
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||
ho wring his rural village dry.
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:24 Frames Per Century
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T154500
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T164500
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DESCRIPTION:A pair of film projectors discuss their impending obsolescence
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in this elegiac homage to Jean-Luc Godard’s Contempt\, commissioned by
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the Venice International Film Festival in 2013.
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END:VEVENT
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BEGIN:VEVENT
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SUMMARY:A Hand in Two Ways (Fisted)
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T154500
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T164500
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DESCRIPTION:A charged\, fragmentary succession of images—of bodies\, ani
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mals\, children and domestic rituals—frames the night as an enigmatic ti
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||
me of exchanges and transformations.\n\n
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:Indefinite Pitch
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T154500
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||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T164500
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DESCRIPTION:A procession of black-and-silvery-white stills of New England
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||
’s Androscoggin River unspools alongside an anxious monologue on movies\
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, memory\, and minor history.
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||
END:VEVENT
|
||
BEGIN:VEVENT
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||
SUMMARY:Live to Live
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T154500
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||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T164500
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DESCRIPTION:The body\, a space of production\, creates structures for a su
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||
mptuous exploration of tactile and psychological reality amid the mountain
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s and deserts of southern California.\n\n
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:Mad Ladders
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T154500
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T164500
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DESCRIPTION:A modern prophet’s visions of mythical destruction and trans
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||
formation are recounted across a turbulent geometric ceremony of rising cu
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rtains\, swirling setpieces\, and unveiled idols from music television’s
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past.
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END:VEVENT
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||
BEGIN:VEVENT
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||
SUMMARY:NYFF Program 1: Film as a Subversive Art
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DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T154500
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T164500
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DESCRIPTION:These two programs—named in homage to the seminal books writ
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ten by NYFF’s founders\, Amos Vogel and Richard Roud—offer a varied\,
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kaleidoscopic view of cinema over the past decade-plus\, ranging from awar
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||
d-winning narrative shorts to diaristic\, exper...
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END:VEVENT
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||
BEGIN:VEVENT
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||
SUMMARY:Occidente
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T154500
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DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T164500
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DESCRIPTION:In a spellbinding\, textural blend of 16mm and HD video\, Ana
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Vaz refracts the colonial history of Brazil and Portugal through objects\,
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gestures\, and contemporary customs.
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END:VEVENT
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BEGIN:VEVENT
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||
SUMMARY:Service of the goods
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T154500
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||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T164500
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DESCRIPTION:A canny\, revelatory piece of social criticism emerges in Toro
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||
nto-based video artist Jean-Paul Kelly’s gutsy restagings of scenes from
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films by Frederick Wiseman.
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||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Untitled (Letter to Serra)
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T154500
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||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T164500
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||
DESCRIPTION:Lisandro Alonso returned to the location of his feature debut
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La Libertad (the La Pampa province) and reunited with its lead\, Misael Sa
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||
avedra\, for this alluringly dreamy piece in which the camera itself seems
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||
entranced as it surveys the landscape ...
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END:VEVENT
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||
BEGIN:VEVENT
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||
SUMMARY:Dantza
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T181500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T191500
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||
DESCRIPTION:An energetic and hypnotic Basque musical offers a poetic song
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||
to northern Spain\, with both an affection for tradition and a forward-thi
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||
nking universality.\n\n
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||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Grab
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||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T201500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T211500
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||
DESCRIPTION:This intimate portrait follows three families as they prepare
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||
for the annual Grab Day tradition on the Laguna Pueblo reservation\, an ev
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ent that has evolved for over 300 years.\n\n
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||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Ice Cream and the Sound of Raindrops
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T213000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T223000
|
||
DESCRIPTION:After their opening night show gets cancelled\, a theater trou
|
||
pe decides to rehearse anyways. Over the course of a 74-minute single take
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||
\, their real lives merge with their roles.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Epic of Everest
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T230000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T000000
|
||
DESCRIPTION:Filming in brutally harsh conditions with a hand-cranked camer
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||
a\, Captain John Noel captured the Everest expedition of 1924 with a breat
|
||
htaking beauty freshly restored by the BFI National Archive.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Wake Up: Stories From the Frontlines of Suicide Prevention
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T004500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T014500
|
||
DESCRIPTION:Four gripping\, unique stories from the frontlines of suicide
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||
prevention—those of American veterans\, the LGBT community\, university
|
||
students\, and gun owners—weave together into a call to action.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Alteration
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:When Alexandro volunteered for a dream experiment\, he never i
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||
magined that he would be subjected to a form of Artificial Intelligence wh
|
||
o aims to digitize his subconscious.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Annecy Shorts for Families
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:None
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||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Bilby
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:This sweet short from DreamWorks Animation Studios finds a lon
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||
esome bilby tangled up with a helpless baby bird in the deadly desert of A
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||
ustralia.
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||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Bird Karma
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:A crafty\, long-legged bird chases a mesmerizing fish through
|
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a foggy pond in this sprightly short\, produced by DreamWorks Animation St
|
||
udios.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Bloodless
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:Portraying the final moments of a sex worker murdered by a US
|
||
soldier in South Korea\, this piece brings historical atrocities to light
|
||
through a concrete personal experience.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Crow: The Legend
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:The carefree animals imagine spring is endless. But when the v
|
||
ery first winter arrives\, can Crow (John Legend) make the ultimate sacrif
|
||
ice to save his friends?\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Daughters of Chibok
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:This VR experience deals with the aftermath of the kidnapping
|
||
of 276 schoolgirls in 2014 in Nigeria\, and explores topical global issues
|
||
of gender rights and the right to education.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Extravaganza
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:A busy executive (Paul Scheer) tests a VR headset that promise
|
||
s to be the future of entertainment...but is actually anything but forward
|
||
thinking.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Ghost Fleet VR
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:This harrowing look at slavery in the Thai fishing industry is
|
||
told through the experience of one man's harrowing ordeal to escape a pri
|
||
son of water after 10 years at sea.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Isle of the Dead
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:A timeless voyage from an everyday apartment toward our final
|
||
destination\, guided by Charon\, ferryman of the Underworld.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Ivory Burn
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:This film bears witness to the burning of over 100 tons of ele
|
||
phant tusks and rhinoceros horn: a symbolic and visceral clarion call to t
|
||
he poaching and illegal trade syndicates.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Jaws — Assembling a Top-Tier Team (feat. TierZoo)
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:This video essay by YouTube creators of Lessons From The Scree
|
||
nplay analyzes the classic blockbuster Jaws to examine how a screenwriter
|
||
can craft a dynamic team of characters.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Marooned
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:In this stylized DreamWorks Animation Studios short set in the
|
||
not-too-distant future\, a cantankerous and selfish robot is put to the t
|
||
est while stranded on an abandoned lunar outpost.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Minotaur
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:A mythical passage through the archetypal hero’s journey. Th
|
||
rough abstractions\, we experience their corresponding emotional states: c
|
||
alm\, love\, joy\, surprise\, fear\, anger/hate\, and death/rebirth\, lead
|
||
ing again to calm.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:My Africa
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:This mixed-reality experience transports viewers to an elephan
|
||
t sanctuary in Kenya\, where a community is reknitting the bonds that have
|
||
long enabled people and wildlife to coexist.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:On/Off
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:Behind the closed doors of an intensive care unit\, ON/OFF loo
|
||
ks at how difficult it is for healthcare professionals to confront and “
|
||
manage” death on a daily basis. \n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Passenger
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:This abstracted and dreamlike experience places you in the bac
|
||
kseat of a taxi\, and recreates the geographic and visual dislocation of f
|
||
inding a new home in a foreign land.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Sébastien Tellier on Paris’ rooftop | A Take Away Show
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:French artist Sébastien Tellier serenades Paris from one of i
|
||
ts highest point of view: the roof of Le Théâtre du Châtelet\, in the h
|
||
eart of the city
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Step To The Line
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:Shot entirely in a maximum security prison\, this piece shows
|
||
how release from incarceration can be just as jarring as intake and how pa
|
||
rallel lives diverge when someone serves time.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Stories That Prepared Us
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:A telling of the story of Coronavirus through moments in criti
|
||
cally-acclaimed film and television.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Traveling While Black
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:Confronting the way we understand and talk about race in Ameri
|
||
ca\, Traveling While Black immerses the viewer in the long history of rest
|
||
ricted movement for Black Americans. \n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Waiting Room
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DESCRIPTION:An unflinching record of Victoria Mapplebeck’s journey from
|
||
breast cancer diagnosis to recovery\, The Waiting Room considers what we c
|
||
an or can’t control when our bodies fail us. \n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:And Then The Bear
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T150000
|
||
DESCRIPTION:Houses will burn. Men and women will tremble. But the children
|
||
will come together and howl as they dance on the ashes like wild bears in
|
||
this vivid animation.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Distance Between Us And The Sky
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T150000
|
||
DESCRIPTION:In this Short Film Palme d’Or winner\, two strangers (Ioko I
|
||
oannis Kotidis\, Nikos Zeginogolu) meet one night at a gas station. One is
|
||
there to refuel\; the other is stranded.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Short Film Selection in Competition at the 72nd Festival de Ca
|
||
nnes: Program 2
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T150000
|
||
DESCRIPTION:None
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:White Echo
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T140000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T150000
|
||
DESCRIPTION:Chloë Sevigny’s ethereal séance-story sees a young woman\,
|
||
Carla (Kate Lyn Sheil)\, explore and wield her inner power while on vacat
|
||
ion with friends.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Cinema Cafe with Jackie Chan
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T153000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T163000
|
||
DESCRIPTION:Recorded live from the Sundance Film Festival\, each Cinema Ca
|
||
fé invigorates the culture of conversation. Our informal chats round up s
|
||
pecial guests for thought-provoking discussions between Festival filmmaker
|
||
s and journalists. Cinema Cafe with Jac...
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Losing Alice
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T164500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T174500
|
||
DESCRIPTION:Fascination spirals into Faustian bargain after an ambitious f
|
||
emale film director meets—and obsesses over—a younger femme-fatale scr
|
||
eenwriter.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Electric Swan
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T190000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T200000
|
||
DESCRIPTION:An apartment building in Buenos Aires begins to tremble and pr
|
||
ovokes an otherworldly nausea throughout the city in this magical realist
|
||
skewering of its class divisions.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Crazy World
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T200000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T210000
|
||
DESCRIPTION:Pint-sized kung fu masters face off with the evil Tiger Mafia
|
||
in this action flick from Uganda's no-budget\, gonzo super-studio\, Wakali
|
||
wood.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Rudeboy: The Story of Trojan Records
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T213000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T223000
|
||
DESCRIPTION:Featuring Jamaican reggae and ska legends like Lee “Scratch
|
||
” Perry and Marcia Griffiths\, Rudeboy chronicles a multicultural revolu
|
||
tion on the dancefloors of late ’60s and early ’70s Britain.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Cru - Raw
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T231500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T001500
|
||
DESCRIPTION:A young chef (Jeanne Werne) must learn that in this kitchen\,
|
||
a lot of blood\, sweat\, and tears go into making every dish.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Egg
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T231500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T001500
|
||
DESCRIPTION:An action-packed romance and Americana western adventure about
|
||
an egg's epic Hollywood journey from farm to table.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Light Side
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T231500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T001500
|
||
DESCRIPTION:An aging Sith Lord must come to grips with his past and discov
|
||
er why humility may be the greatest force in the galaxy.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Motorcycle Drive By
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T231500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T001500
|
||
DESCRIPTION:Third Eye Blind cannot finish their new album in time for a ma
|
||
ssive tour. Their fans still show\, breaking attendance records\, and high
|
||
lighting the importance of the band's deep cuts.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:No More Wings
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T231500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T001500
|
||
DESCRIPTION:At a divergent point in their lives\, two lifelong friends (Iv
|
||
anno Jeremiah\, Parys Jordon) meet at their favorite South London fried ch
|
||
icken shop.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:TOTO
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T231500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T001500
|
||
DESCRIPTION:Rosa Forlano\, a 90 year old Nonna\, falls in love with a robo
|
||
t while teaching it how to make spaghetti. Unfortunately\, her family reci
|
||
pe is erased by a software update.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Tribeca 2020 Shorts Program
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T231500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T001500
|
||
DESCRIPTION:None
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:When I Write It
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200529T231500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T001500
|
||
DESCRIPTION:Two Oakland teens (Leila Mottley\, Ajai Kasim) explore what it
|
||
means to be young\, Black and committed to making art in their rapidly ch
|
||
anging city.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Circus Person
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T010500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T020500
|
||
DESCRIPTION:Left by her fiancé for another woman\, a grieving painter (Br
|
||
itt Lower) joins a one-ring circus to reclaim her forgotten wildness.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:In conversation with Guillermo del Toro
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T140000
|
||
DESCRIPTION:Recorded at the 2018 Marrakech International Film Festival\, A
|
||
cademy Award®-winning director Guillermo del Toro sits down for a career-
|
||
spanning discussion\, moderated by Kim Morgan and presented as part of the
|
||
festival’s “Conversation With” series.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Postcards from Sarajevo Film Festival Friends
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T150000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T160000
|
||
DESCRIPTION:Short postcards from Sarajevo Film Festival friends as they go
|
||
about their lives under quarantine.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Bridges of Sarajevo
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T153000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T163000
|
||
DESCRIPTION:On the centenary of World War I\, a varied group of European d
|
||
irectors gives voice to the modern ghosts and historical echoes of the Bos
|
||
nian capital.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:No One Left Behind
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T174500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T184500
|
||
DESCRIPTION:A group of American soldiers travels to Mexico for an unknown
|
||
mission. When they arrive\, a surprising world drives them to rethink the
|
||
ties that bind their nations.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Tear's Thing
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T184500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T194500
|
||
DESCRIPTION:Actress Florence has just been cast in a film as an assassin.
|
||
When she arrives at a shooting range to prepare for the role\, she’ll be
|
||
challenged in a way she could never have seen coming.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Cinema Cafe with Tessa Thompson and Jane Campion
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T194500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T204500
|
||
DESCRIPTION:Recorded live from the Sundance Film Festival\, each Cinema Ca
|
||
fé invigorates the culture of conversation. Our informal chats round up s
|
||
pecial guests for thought-provoking discussions between Festival filmmaker
|
||
s and journalists. Cinema Café with Tes...
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Annecy Animated Shorts Program
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T210000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T220000
|
||
DESCRIPTION:None
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Battle of San Romano
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T210000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T220000
|
||
DESCRIPTION:There’s a method to the madness of this 15th-century battle
|
||
when Paolo Uccello’s masterpiece is cleverly animated by Georges Schwizg
|
||
ebel.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Black Barbie
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T210000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T220000
|
||
DESCRIPTION:In a poetic animation\, Comfort Arthur recollects her personal
|
||
journey with skin bleaching products and questions societal ideals of bea
|
||
uty.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Dew Line
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T210000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T220000
|
||
DESCRIPTION:An animated tapestry of biomorphic forms elegantly dances thro
|
||
ugh the life cycles of cells while hinting at the loss of botanical divers
|
||
ity.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The One-Minute Memoir
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T210000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T220000
|
||
DESCRIPTION:Eleven award-winning directors turn memoirs into exuberant ani
|
||
mated shorts\, each in their own personal style\, with stories ranging fro
|
||
m the heartfelt to the absurd.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Procession
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T210000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T220000
|
||
DESCRIPTION:After Catherine’s fatal car accident\, she speaks from beyon
|
||
d the grave to her husband\, Philip\, who must endure the family ritual of
|
||
the funeral.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Shannon Amen
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T210000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T220000
|
||
DESCRIPTION:This loving\, handcrafted elegy to a friend lost to suicide re
|
||
animates the passionate and pained artwork she left behind.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:And She Could Be Next
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T223000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T233000
|
||
DESCRIPTION:This two-part journey through the 2018 midterm elections follo
|
||
ws a defiant grassroots movement of women of color\, organizing to transfo
|
||
rm American politics from the ground up.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Mabo
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T140000
|
||
DESCRIPTION:This tender and tenacious true story sees Eddie Koiki Mabo—a
|
||
Torres Strait Islander who left school at 15—spearhead an unflagging fi
|
||
ght for Australian law to recognize traditional land rights.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:SEE Factory Sarajevo mon amour
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T150000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T160000
|
||
DESCRIPTION:Five uniquely moving films about motherhood—bubbling up in t
|
||
he grocery store\, the cemetery\, or even a car ride—come together in th
|
||
is omnibus film set in Sarajevo.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Los Pasos Dobles
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T161500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T171500
|
||
DESCRIPTION:Painter François Augiéras believed that the best way to esca
|
||
pe without a trace is to walk backwards\, in your own footprints—this co
|
||
nceptual reimagining of his life retraces his steps.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Rendez-vous with Alain Delon
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T180500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T190500
|
||
DESCRIPTION:Journalist Samuel Blumenfeld sets out to meet the man behind t
|
||
he legend. Speaking to a jam-packed Buñuel Theatre in the Palais des Fest
|
||
ivals in Cannes\, Alain Delon treated crowds to his insight over the cours
|
||
e of a Masterclass.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Amreeka
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T191500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T201500
|
||
DESCRIPTION:When a Palestinian single mom and her teenage son immigrate to
|
||
small-town Illinois\, their dreams of an exciting future clash with the r
|
||
acism they encounter there in this dramedic FIPRESCI prizewinner.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Tremble All You Want
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T211500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T221500
|
||
DESCRIPTION:For the past decade\, Yoshika has had a secret crush on her mi
|
||
ddle school classmate. Her life is thrown into chaos when a colleague asks
|
||
her out.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:On Transmission: Ang Lee in Conversation with Kore-eda Hirokazu
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200605T233000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T003000
|
||
DESCRIPTION:Nine-time Academy Award®–winning Ang Lee and Kore-eda Hirok
|
||
azu (Shoplifters) discuss the state of film art today. The conversation is
|
||
fascinating and unexpected: it presents not only one of many possible nar
|
||
ratives of the festival but also a vibra...
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Brat
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T140000
|
||
DESCRIPTION:Wary of the influence of her machismo-obsessed family\, a doti
|
||
ng mother tries to teach her seven-year-old son kindness through her bedti
|
||
me stories.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Sisterhood
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T140000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T150000
|
||
DESCRIPTION:Sei moved to Taiwan 15 years ago with her husband\, but a sear
|
||
ing melodrama of cultural alienation unfolds when an unexpected death conj
|
||
ures her tangled past in pre-handover Macau.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Stories of Destroyed Cities: Şhengal
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T160000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T170000
|
||
DESCRIPTION:Speaking with the survivors of a devastating ISIS invasion\, t
|
||
he Rojava Film Commune captures the city of Şhengal’s ongoing struggle
|
||
to rebuild and revive itself.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:IFFR Freedom Lecture: Rojava Film Commune
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T163000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T173000
|
||
DESCRIPTION:The Kurdish collective Rojava Film Commune gives IFFR 2020's F
|
||
reedom Lecture\, a cooperation between De Balie and IFFR.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Shiraz: A Romance of India
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T181500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T191500
|
||
DESCRIPTION:Franz Osten’s epic silent feature\, featuring a specially co
|
||
mmissioned score by Anoushka Shankar\, tells the ravishing tale of one of
|
||
the world’s most beautiful monuments to love: the Taj Mahal.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Butterflies
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T203000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T213000
|
||
DESCRIPTION:One sunny Sunday\, a family from a kibbutz in north Israel tak
|
||
es a leisurely drive through the countryside\, aware that it could be thei
|
||
r last one together.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Monster God
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T203000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T213000
|
||
DESCRIPTION:On a night of mythic proportions\, the clouds darken with a th
|
||
understorm\, cows disperse in the fields\, and a power plant harnesses god
|
||
like powers.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Short Film Selection in Competition at the 72nd Festival de Ca
|
||
nnes: Program 3
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T203000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T213000
|
||
DESCRIPTION:None
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Van
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T203000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T213000
|
||
DESCRIPTION:A man (Phénix Brossard) risks his life to pay his and his fat
|
||
her’s (Arben Bajraktaraj) way out of Albania with winnings from startlin
|
||
gly violent underground fist fights.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Who Talks
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T203000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T213000
|
||
DESCRIPTION:A new refugee home for children is debated at a Swedish public
|
||
council meeting in Elin Övergaard’s lucidly observed story of politica
|
||
l polarization.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Beyond The Mountain
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T221500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200602T231500
|
||
DESCRIPTION:A typist must confront his suppressed past when he finds his m
|
||
other lying dead\, clutching a letter addressed to the father who abandone
|
||
d him.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Tribeca Talks: Francis Ford Coppola and Steven Soderbergh
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T001500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T011500
|
||
DESCRIPTION:From the 2019 Tribeca Film Festival\, Francis Ford Coppola and
|
||
acclaimed filmmaker Steven Soderbergh have a conversation to discuss the
|
||
huge undertaking of restoring Apocalypse Now Final Cut and why the time wa
|
||
s right for Coppola to do this now\, fo...
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:A City Called Macau
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T140000
|
||
DESCRIPTION:In the gambling underworld of early 2000s Macau\, a casino VIP
|
||
client servicing manager is swept up into a high-stakes melodrama amid ep
|
||
ic-scale historical change.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Nasir
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T153000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T163000
|
||
DESCRIPTION:An ordinary day unfolds for a warmhearted street salesman in s
|
||
outhern India\, as he tries to make a loving home for his family while war
|
||
ding off the anti-Muslim sentiment of his neighbors.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Route-3
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T171500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T181500
|
||
DESCRIPTION:On a sweaty\, jam-packed tram in Sarajevo\, a shy teen can’t
|
||
take his eyes off of a young woman eating a juicy orange slice\, but catc
|
||
hing her attention proves challenging.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Air Conditioner
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T174500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T184500
|
||
DESCRIPTION:When air conditioners in Luanda begin to mysteriously fall fro
|
||
m building windows\, a security guard embarks on a pleasantly surreal\, ja
|
||
zz-inflected journey through the Angolan capital.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Future Frames at KVIFF
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T191500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T201500
|
||
DESCRIPTION:Peacock / Furiant (2015)The childhood and youth of playwright
|
||
Ladislav Stroupežnický\, a legend of Czech realism\, unfolds with an une
|
||
xpected humor and formal playfulness.Everything Will Be Okay/ Alles wird g
|
||
ut (2015)\n\nEight-year-old Lea (Julia Poin...
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Bonifacio in Summertime
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T212000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T222000
|
||
DESCRIPTION:In the Kingdom of Skedaddle\, a sweet-talking swindler romance
|
||
s Queen Héloïse\, but the spell is broken when her daughter\, Princess M
|
||
olly\, returns for summer vacation.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Leon in Wintertime
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T212000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T222000
|
||
DESCRIPTION:As winter falls early on the kingdom\, an ogre kidnaps Princes
|
||
s Molly Gingerbread. Before she ends up in a pea stew\, her only hope may
|
||
be a runaway teenage bear.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Leon's Animated Stories
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T212000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T222000
|
||
DESCRIPTION:None
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Molly in Springtime
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T212000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T222000
|
||
DESCRIPTION:As the mysterious “bloated belly” disease spreads through
|
||
their kingdom\, Princess Molly teams up with Léon the bear to outwit a co
|
||
nniving storyteller.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Poppety in the Fall
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T212000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T222000
|
||
DESCRIPTION:When a curse magically erases all of the kingdom’s books\, a
|
||
grouchy hedgehog heads up a rescue mission to cheer up a bored and despon
|
||
dent King Balthazar.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:TIFF Talks: Viggo Mortensen & David Cronenberg on CRASH
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200606T232000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T002000
|
||
DESCRIPTION:Frequent David Cronenberg collaborator Viggo Mortensen join
|
||
TIFF for a Q&\;A following a screening of Cronenberg’s controversial
|
||
tale of bodily trauma and desire\, Crash\, presented in a 35mm print hand-
|
||
picked by Mortensen from TIFF’s Film Refer...
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Adela Has Not Had Supper Yet
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T002500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T012500
|
||
DESCRIPTION:On a visit to Prague from New York\, the renowned private dete
|
||
ctive Nick Carter must solve a mysterious disappearance...and face off aga
|
||
inst a music-loving\, flesh-eating plant.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Eeb Allay Ooo
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T140000
|
||
DESCRIPTION:A young migrant is hired to shoo away rampaging monkeys from N
|
||
ew Delhi government buildings by mimicking aggressive langurs—their natu
|
||
ral enemies—in this charmingly absurd social farce.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Masterpiece
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T150000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T160000
|
||
DESCRIPTION:A group of young men try to interpret their friend’s art so
|
||
they can save face and show support.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:New UK Filmmakers - Short Film Program
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T150000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T160000
|
||
DESCRIPTION:Keep an eye on these exciting U.K. based filmmakers\, each wit
|
||
h a distinct voice and style.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Over
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T150000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T160000
|
||
DESCRIPTION:A crime scene reveals itself in nine shots of a quiet neighbor
|
||
hood. As the possibilities pile up—murder\, hit-and-run\, accident—a d
|
||
eeply unexpected reality unspools in reverse.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Vertical Shapes In a Horizontal Landscape
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T150000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T160000
|
||
DESCRIPTION:Mark Jenkin’s (Bait) Super-8 pilgrimage to artists’ dwelli
|
||
ngs along the south coast of England\, from Andrew Kotting to Derek Jarman
|
||
\, traces a haze of post-election hope and despair.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Love Chapter 2
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T154500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T164500
|
||
DESCRIPTION:The winner of the FEDORA - Van Cleef &\; Arpels Prize for B
|
||
allet\, Love: Chapter 2 pulses with livewire choreography\, a thrumming el
|
||
ectronic score\, and the chaos and confusion of love.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Mugaritz Bso
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T170000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T180000
|
||
DESCRIPTION:Recipes and soundscapes intertwine in this glimpse of a daring
|
||
—and mouthwatering—multimedia collaboration between San Sebastian chef
|
||
Andoni Luis Aduriz and musician Felipe Ugarte.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:East of Jefferson
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T183000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T193000
|
||
DESCRIPTION:One rainy night\, somewhere in the corner of the city\, uncann
|
||
y memories meet on a motel bed.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:On Transmission: Claire Denis in Conversation with Olivier Assayas
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T191500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T201500
|
||
DESCRIPTION:On Transmission: Claire Denis in Conversation with Olivier Ass
|
||
ayas\n\nAcclaimed filmmakers\, Claire Denis and Olivier Assayas discuss th
|
||
e state of film art today. The conversation is fascinating and unexpected:
|
||
it presents not only one of many possib...
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Late Marriage
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T204500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T214500
|
||
DESCRIPTION:Dover Kosashvili's Ophir Award-winning film from 2001 is a cle
|
||
ver dramedy about a bachelor who becomes involved with a single mother aga
|
||
inst the wishes of his traditional Georgian family.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Masterclass with Nadav Lapid
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T224500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T234500
|
||
DESCRIPTION:Acclaimed Israeli filmmaker and recent Golden Bear winner Nada
|
||
v Lapid (Synonyms\, The Kindergarten Teacher) arrives at the JFF studio fo
|
||
r a special masterclass moderated by actress and screenwriter Romi Aboulaf
|
||
ia.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Ricky Powell: The Individualist
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200530T233000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200531T003000
|
||
DESCRIPTION:Ricky Powell boasts a quintessential New York story\, rising t
|
||
o fame as a street photographer in the 80’s and 90’s and touring with
|
||
the Beastie Boys\, capturing some of the wildest moments in popular cultur
|
||
e.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Genius Party: Happy Machine
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T140000
|
||
DESCRIPTION:After an innocent baby’s nursery crumbles away before his ey
|
||
es\, he enters into a surreal world.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Lonely Encounter
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T133000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T143000
|
||
DESCRIPTION:In this winner of the Best Short Film Award at IFFAM\, a taxi
|
||
driver on the verge of losing his home shares a fleeting connection with a
|
||
n isolated foreign student.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Tapi!
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T141500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T151500
|
||
DESCRIPTION:When the Christian church in Kenya takes a ritual healer to co
|
||
urt\, they seem determined to erase the complex history of a people.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Kmêdeus
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T150000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T160000
|
||
DESCRIPTION:Enigmatic whispers shroud a homeless eccentric in mystique—s
|
||
ome called him a lunatic\, others an artist and philosopher—and inspire
|
||
this contemporary dance piece about his life on Cape Verde.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Volubilis
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T161500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T171500
|
||
DESCRIPTION:In this tale of love and beauty among the ruins\, recently mar
|
||
ried Abdelkader and Malika struggle to make ends meet\, but a violent inci
|
||
dent turns their destiny upside down.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Rendez-vous with Zhang Ziyi
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T181500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T191500
|
||
DESCRIPTION:Chinese actor Zhang Ziyi talked about her career during a conv
|
||
ersation with director and historian Yves Montayeur. For an hour and a hal
|
||
f\, the star who has worked with the greatest Chinese directors\, from Won
|
||
g Kar-wai to Zhang Yimou and Ang Lee\, s...
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Mary is Happy\, Mary is Happy
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T202000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T212000
|
||
DESCRIPTION:Based on an anonymous Twitter feed\, a candid coming-of-age st
|
||
ory blooms from the fantasy world of a Thai teenager.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Locarno 2019 Excellence Award Conversation
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T224500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200603T234500
|
||
DESCRIPTION:Conversation between Song Kang-ho and Bong Joon-ho moderated
|
||
by Olivier Père\, in occasion of the 2019 Excellence Award to Song Kang-h
|
||
o.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Beautiful Things
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T002500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200604T012500
|
||
DESCRIPTION:Solitary men in oil rigs and supertankers\, isolation chambers
|
||
and waste plants\, coalesce in a riveting global symphony of material pro
|
||
duction and consumption.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Awake
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T130000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T140000
|
||
DESCRIPTION:All seems well—until it isn’t—in a photographer’s marr
|
||
iage to a man with a peculiar condition in this tense exploration of power
|
||
dynamics and patriarchy.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Mystery Road
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T140500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T150500
|
||
DESCRIPTION:Indigenous cowboy detective Jay Swan (Aaron Pederson) returns
|
||
to his outback hometown to solve the murder of a teenage girl whose body i
|
||
s found underneath a trucking route.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Locarno 2019 Pardo d'onore to John Waters
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T162500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T172500
|
||
DESCRIPTION:Conversion with John Waters moderated by Albert Serra in the o
|
||
ccasion of the 2019 Pardo d’onore to John Waters.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Atlantiques
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T175500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T185500
|
||
DESCRIPTION:Mati Diop’s richly textured documentary—both her experimen
|
||
tal debut\, and a precursor to her Grand Prix–winning feature Atlantics
|
||
—tells the story of a young boy’s tragic migratory voyage in Senegal.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Dramatic Relationships
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T175500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T185500
|
||
DESCRIPTION:Dustin Guy Defa slyly lampoons masculinity in filmmaking with
|
||
this surprising meta-movie about a filmmaker (Defa himself) suggesting mic
|
||
ro-adjustments to actresses between takes.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Forever's Gonna Start Tonight
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T175500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T185500
|
||
DESCRIPTION:Eliza Hittman’s sensitive and atmospheric short follows a 17
|
||
-year-old Russian teenager as she escapes the close-quarters tension of he
|
||
r home into a Brooklyn night charged with freedom and desire.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:NYFF Program 2: A Passion for Films
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T175500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T185500
|
||
DESCRIPTION:These two programs—named in homage to the seminal books writ
|
||
ten by NYFF’s founders\, Amos Vogel and Richard Roud—offer a varied\,
|
||
kaleidoscopic view of cinema over the past decade-plus\, ranging from awar
|
||
d-winning narrative shorts to diaristic\, exper...
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Parsi
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T175500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T185500
|
||
DESCRIPTION:Eduardo Williams’s immersive work\, shot with 360-degree cam
|
||
eras\, explores the rhythmic\, discursive language of Mariano Blatt’s po
|
||
em “No es” against the perpetually moving people of Guinea-Bissau.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Pelourinho\, They Don't Really Care About Us
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T175500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T185500
|
||
DESCRIPTION:Akosua Adoma Owusu traces a century of social unrest through c
|
||
orrespondence from W. E. B. Du Bois\, sumptuous Super-8 footage shot in Pe
|
||
lourinho\, and a music video by Spike Lee.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Rosalinda
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T175500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T185500
|
||
DESCRIPTION:After a breakup\, a Shakespearean actress alternates between r
|
||
ehearsing and daydreaming as she starts to slowly embody her character\, t
|
||
ransforming into the object of desire of other cast members.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Violettina
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T175500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T185500
|
||
DESCRIPTION:This delicate film—created for Alice Rohrwacher’s producti
|
||
on of Verdi's La traviata—conjures the protagonist’s interiority and s
|
||
pontaneity through sun-kissed 16mm images of a young girl's hands (Rohrwac
|
||
her's own daughter\, Anita).
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Fainting Spells
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T201500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T211500
|
||
DESCRIPTION:This tapestry of recollections offers an imagined myth for the
|
||
Xąwįska\, or the Indian Pipe Plant—used by the Ho-Chunk to revive tho
|
||
se who have fainted.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Indigenous Shorts Program
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T201500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T211500
|
||
DESCRIPTION:None
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Mud
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T201500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T211500
|
||
DESCRIPTION:In her final hours\, a mother on a Navajo Reservation struggle
|
||
s with alcoholism while seeking belonging within family and tradition.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:My Father's Tools
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T201500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T211500
|
||
DESCRIPTION:In honor of his father\, Stephen continues making baskets in t
|
||
he tradition of the Mi’kmaq Tribe. He finds a meditative peace in his st
|
||
udio\, in connection with the man who taught him his work.\n\n
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Nutag-Homeland
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T201500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T211500
|
||
DESCRIPTION:A poetic\, hand-painted animation explores notions of diaspora
|
||
and homeland to reflect on the tragic mass deportations of the Kalmyk peo
|
||
ple during World War II.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:Throat Singing in Kangirsuk
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T201500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T211500
|
||
DESCRIPTION:Eva and Manon are two throat singers from an Inuit village in
|
||
the northern reaches of Canada. They and Johnny Nassak turn the camera on
|
||
themselves and their Arctic landscape.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:TIFF Talks: Tantoo Cardinal Master Class
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T211500
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T221500
|
||
DESCRIPTION:An intimate and inspiring conversation with award-winning Cana
|
||
dian activist and screen icon Tantoo Cardinal.
|
||
END:VEVENT
|
||
BEGIN:VEVENT
|
||
SUMMARY:The Iron Hammer
|
||
DTSTART;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T223000
|
||
DTEND;TZID=Europe/Paris;VALUE=DATE-TIME:20200607T233000
|
||
DESCRIPTION:Joan Chen’s documentary debut charts the inspiring life and
|
||
career of Chinese icon “Jenny” Lang Ping\, who won historic volleyball
|
||
gold and transformed a struggling national team into Olympic champions
|
||
END:VEVENT
|
||
END:VCALENDAR
|